Get better at the part you can't Google.
You already know how to use the tools. The harder part is knowing what the record actually needs, hearing problems sooner, making decisions faster, getting better performances, and knowing when something is really finished.
I work privately with producers and engineers on the actual records, sessions, clients, and problems they're dealing with right now.
I want you to hear more, decide faster, and make better records without needing me in the room.
Hear the problem sooner
Catch it in the take, not three weeks into the mix.
Make decisions with intent
Know why you're doing it before you do it.
Get better performances
The biggest gains are still in the room, not the plugin.
Stop overworking the record
Know when it's finished and leave it alone.
Run better sessions
Faster, calmer, and easier for the artist to do their best work.
Build a better career around the work
Clients, rates, boundaries, workflow, studio operations.
Bring the mixes, sessions, productions, arrangements, and client projects you're in the middle of. We work on what's actually in front of you.
This isn't music production 101.
You don't need major-label credits or a commercial studio. But you should already be making records.
Bring me the sessions, mixes, productions, clients, and decisions you're actually struggling with. We need something real to work on.
I don't want to teach you what a compressor does.
I want to help you understand why you're reaching for the wrong one.
Work with me on the records you're already making.
Over 8 to 12 weeks, I work directly with you on the sessions, mixes, productions, clients, and decisions you're dealing with right now.
I listen to the work, tell you what I'm hearing, show you what I would approach differently, and then you go apply it. We repeat that process until you start hearing the problems and making the decisions before I have to point them out.
Have one specific problem instead? A mix, production, session, workflow, or business issue can also be handled as a mentorship intensive. Mention it in your application.
Pricing depends on scope. I'll give you a clear number after I've seen your work and understand what you need.
I've had to solve this for real.
Production, engineering, mixing, mastering, getting performances out of people, owning a studio, managing engineers, building audio software, and handling clients, labels, budgets, deadlines, and the creative decisions nobody wants to be the one to make. Twenty years of it, on records people still listen to.
These are the decisions I'm talking about.
The Story So Far
Knowing when the sound that built the band was becoming a limitation.
Hundredth
Believing the safe record was actually the wrong record.
SpiritWorld
Understanding that an ambitious project needed an entire world built around it.
The details change. The job doesn't: hear what the situation actually needs and make the right call before the answer is obvious.
Read The Case Studies →Tell me what you're working on.
I read every application personally. If I think I can help, I'll reach out and we'll talk about what makes sense.